My sister Mariah’s got a phenomenal cache of recipes. A large bunch of fresh dill from a Chicago farmer’s market needed one.
‘Do you have Mrs. Waltz’s dill bread recipe?’ I asked her. She clicked back immediately, ‘It’s in Mom's recipe booklet I gave you, Montana Dilly Casserole Loaf - and I love the attached potato salad recipe - it's the first thing I thought if when I heard fresh dill.'
Mariah’s our family recipe caretaker. Our mother used to say, ‘I’m not a good cook. I just have good recipes.’ Because of Mariah, Mom feeds us still. Caretakers abound where humans love.
2 Men and a Campfire shared songs they love at the Beck Cafe Thursday night. Cat Stevens, Paul Simon, Lennon-McCartney songs with spot on harmonies and well hewn guitar grooves had us humming down nostalgia lane. Dale and Ryan care for the good songs when they perform them and emulate them in their own compositions.
An original Lennon lyric sheet just went for $1.2 million at Sotheby’s. I’ll take the live rendition any day. Recipes are made for cooking/eating, songs for singing/hearing.
And what to make of the 45-year-old carpenter who retrieved his high school class ring from a quarry he’d lost it in as a boy, swimming with friends? Care taking is a communal story. Somebody’s got to drain the quarry and somebody’s got to want what’s down there.
Recently I strapped on my guitar to begin again to sing the songs I left behind some years ago. It can seem pointless, in the glut of digital music distribution, to be caretaker of songs I write. The communal piece appears lacking - no Beatlemaniacs or Dylanatics revere my tunes, hankering for more. Scarcely friend nor kin has asked about the golden ring ‘on a ledge that would have been 35 feet under the water line.’ I guess it’s up to me to drain the quarry and tote the ring, both.
A recent TED talker describes his 'why' discovery this way: ‘People don’t buy what you do, they buy why you do it.’ He says rational explanations about how a product is so necessary and desirable miss the point entirely. Buying decisions are made in the intuitive, feeling part of our brain. The ‘why’ of our exertions draws others to things we revere and offer up creatively.
It’s not the zeitgeist's job to track down my songs for posterity. I’m the caretaker, quarry drainer, ring bearer - chief cook and bottle washer. I do it because I love making music. I do it for community. I do it for love.
- Susan Weber's blog
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Dill bread and poetry
Dill bread makes great toast.
I remember one of my college English professors saying that the poet Wystan Hugh Auden once remarked that when he wrote critical essays for literary journals, or delivered lectures before highminded audiences, he did it for the money. But he said that every line of poetry he ever wrote was done out of love, because he never made any real money from it.
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Water Color Visions
We can't help it
Hi Susan,
I love this post! Thanks for the link to '2 Men and a Campfire'. I'm listening to it as I write this. There was an article in a newspaper about how science has proven that the human animal is hard wired for music. They have decided that the vein goes back to early humans when they first started using sounds to communicate. Other critters do that, of course, but we do it better. So, there you have it. We can't help it, we're hooked on music.
Wait, wait, didn't we already know this?
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Mark
Musicophilia
While looking up Oliver Sacks' book, Musicophilia: Tales of Music and the Brain, which I highly recommend, I found The Library of Congress: Music and the Brain, a podcast series on the subject. I'm into 'podcast-while-walking' so the bounties of nature and I will have to check out episodes like 'Why Do Listeners Enjoy Music that Makes Them Weep?,''Your Brain on Jazz,' 'Dangerous Music,' 'The Mind of the Artist,' to name a few.
Interesting stuff for sure. I have to smile when you say 'didn't we already know this?' Music-while-walking might be just as enlightening.
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