Ripeness is all
I used to think imagination preceded art. If dreams run rampant, haunting the day with their memories, that’s inspiration, right? If feelings are ripe, it’s time to create something. Yes?
Then there was that time I stepped out of my comfort zone into an acting class taught by Scott Plate. Asking his students to journal about their experiences, he promised to read every word. I soon began to richly dream, and freely add the findings to my journal.
The dreams were vivid and complex, my sense and sensitivity at full tilt. A gift, I thought, that just when assigned the task of introspection, dreams should surface, ripe with illustration.
Bill Moyers recently aired an interview from 2004. He asked Maurice Sendak, author illustrator of ‘Where the Wild Things Are,’ how he calmed his own demons.
'Art has always been my salvation. And my gods are Herman Melville, Emily Dickinson, Mozart. I believe in them with all my heart. And when Mozart is playing in my room, I am in conjunction with something I can't explain. I don't need to. I know that if there's a purpose for life, it was for me to hear Mozart. Or if I walk in the woods and I see an animal, the purpose of my life was to see that animal. I can recollect it, I can notice it. I'm here to take note of. And that is beyond my ego, beyond anything that belongs to me.'
Maurice Sendak, Bill Moyers Journal
- Susan Weber's blog
- Login or register to post comments
- Read more
Artist candor
‘We have an anti-semitic president.’
Not the kind of thing my sister and I expect to hear the cardiologist say as he listens to our dad’s heart.
My sister’s Israeli, occasioning the doc’s statements of certitude on Arab religion (violent), universities (substandard) and government (violent and substandard). Oddly, my Jewish sister is left to defend Islamic beliefs subverted by unscrupulous leaders. The Gentile physician ignores her completely. The middle east is defibrillating; Koranic teaching is the culprit. Case closed.
Somehow I’d expect a more nuanced approach to political science from an educated man. Which only shows my unsubstantiated bias toward the belief set of academia. As though more intellectual tools and exposure equals broadmindedness and curiosity. Surely medical science refines itself by embracing more, not less, rational evidence.
A friend of mine circulates ernest emails pitting wise conservatives against pompous liberals in couplets of rectitude:
If a conservative sees a foreign threat, he thinks about how to defeat his enemy.
A liberal wonders how to surrender gracefully and still look good.
I shake my head as I hit delete, thinking that as long as there are voters who practice black and white thinking, we’ll have politicians who pander to them. This, the unctuous underbelly of democracy, encourages gladhanders to exploit the us-them battleground.
It sometimes feels like hopelessness incarnate.
Enter, artist. Ply your nuance. Encourage doubt. Eschew the easy answers and web-ready glib gloss besmirching your and my and everybody's lips. As one artist philosopher of the day warns,
- Susan Weber's blog
- Login or register to post comments
- Read more
Fellowship of the rope
‘In each of them, we find the amalgam of the child carrying old wounds and the adult who has learned to cope with a world oblivious to his or her individual dream.’
Jennifer Weil, Old Town Playhouse
- Susan Weber's blog
- Login or register to post comments
- Read more
The people's largesse
A little girl, maybe seven, ploughs into me on her way out of the girl’s locker room. ‘Daddy!’ she calls into the empty foyer of our local pool. ‘My dad’s got my bag,’ she tells me.
‘Maybe he’s in the boy’s locker room,’ I offer. ‘We can call him from the doorway.’ We both try.
‘Daddy!’
‘Anybody in there have a little girl?’ No answer.
So we head back to our locker room with me listening to the girl’s steady stream. ‘I already have my suit on but I need my bag to put my clothes in,' she points out.
By the time we’ve got on goggles and caps and I’m saying her dad’s probably waiting for her on the pool deck, I notice the girl is studiously ignoring me. She’s gotten a grip on worry and gotten in touch with something her parents taught her. Rules.
Ah yes, ‘don’t speak to strangers’ and ‘don’t speak to kids who aren’t supposed to speak to strangers.’ In our rush to fix a problem, we’d both forgotten rules and roles and business as usual. Strange woman. Dutiful child. Zero trust; all hallowed rules.
There are times when our great need, or loss, or even greater love temporarily interrupts the who’s who of trustworthy others. After 9/11, it’s often noted, a national, even global suspension of distrust between strangers took effect. Safe distance gave in to compassion and kindness. It reminds me of cherished reunions with my family, whose Weltanschauung could not be further from my own. I’m not the only one who loves her kin far more than she misjudges them.
Hold Your Hand | Revolution Pie & Friends
Elsewhere I’ve tracked the rational act of making this video. Here you’ll find the visceral exposé.
I’ve been Paul Fresty’s friend since our paths crossed in a songwriter circle many moons back. Suddenly last summer, my imperious muse bade me go see Paul’s Beatles cover band (Revolution Pie) perform for a crowd of groovers and shakers. Beatlemania was palpable as the stars, settling over the lovers of magic like a sweet dream. My hand knew not whither to aim the lens in the midst of this wide angle lovefest.
What you see here, to the sound of one fine band and its devotees, is how one of those Beatles tunes moved me. To film it. To seek out images worthy of its joy. To combine, revise, revisit, refine - and finally send it all up to the webiverse for you and your fond friends.
Anyone who’s edited video knows you floss your ears many times with the audio tracks in play. Thanks to Revolution Pie, mine was a happy duty. As for the visuals, well, what better excuse than classic McCartney-Lennon to delve for the best in humanity?
Touch of the bitch goddess
Beethoven composed elegance, vast and beautiful. Listeners of the day had to warm to his passionate scores. Because they did, his masterpieces live on.
With songwriting, brevity is key. Gone are the days when the bards preserved whole histories through song. People don’t stick around for that sort of thing. We have books now, and Google.
Having just read such a book, filled with storied minutia about how print and broadcast media (dying life forms?) came to be, I’m charmed by the author’s élan. The LA Times, CBS and Time, Inc. are the protagonists of David Halberstam’s gripping saga, The Powers That Be. Power, politics and greed disregard justice or conscience and repeatedly give short shrift to a citizen’s need to know. It’s the old story of democracy dashed on the rocks of the bottom line. But the details, like notes in a Beethoven sonata, make the story live.
The book is a worthy, time consuming read. Mr. Halberstam melds a composer’s lush ethos with a songwriter’s cut to the chase in segments like this:
Reporters and editors were at their best when motivated by instincts of social conscience, and belief in justice. But those very instincts, given the curious value system in America, often made them stars. It was heady stuff, this new touch of the bitch goddess.
David Halberstam, The Powers That Be
Our best instinct leading to our worst inclination: hardly a new phenomenon. Ironically, it was the ever increasing reach of the media that magnified celebrity, goading even its best reporters and editors to follow fame’s fancy, to the detriment of honest reportage.
The Powers That Be predates Facebook, Youtube and the like. Today’s web media give the impression that all of us have a shot at the spotlight, robbing the bitch goddess of her six inch nails. Surely the saintly blogger can be trusted to honor truth?
Maybe someday, when we, the new journalist-citizenry, yearn to ride herd on our own rude hubris.